KOKOE FILM & KOKOE STUDIOS - PRINCIPAL PRODUCTION
TERMS AND CONDITIONS GOVERNING ALL PRODUCTIONS
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TERMS AND CONDITIONS
1. Interpretation
1.1
These Terms and Conditions, including all definitions, rules of interpretation, and incorporated documents, apply to any and all Contracts, Briefs, Commissions, Deal Memos, Service Agreements, Statements of Work, Production Agreements, via Text or any Message Services or any other written or verbal agreement entered into with the Company for the purpose of:
Film production (of any type, format, or level),
Design, artwork, illustration, animation, branding,
Advertising, media, or promotional materials,
And the use, publication, hosting, distribution, broadcast, display, streaming, or exploitation of any Works created by the Company or its subsidiaries, affiliates, or licensed entities.
1.2
By signing or accepting any such Contract, Brief, Commission, quotation, proposal, email confirmation, or other written or verbal instruction to proceed, the Client is deemed to have read, understood, and accepted these Terms and Conditions in full as well as the Assets section at the base of these Terms and Conditions and which forms part of them all.
1.3
These Terms and Conditions govern all Works produced by the Company and Production Company and any authorised subsidiaries, affiliates, or entities working under licence from the Company.
1.1 Definitions
“Company”, “Production Company”, or “The Production Company” means Kokoe Film, Kokoe Studios, and any affiliated, licensed, or subsidiary entity acting under their control, authority, or direction in the creation of the Works.
“Brief” means any communication, whether written, verbal, electronic, implied, or otherwise, in which the Client expresses, describes, requests, instructs, or indicates a desire, intention, or requirement for the Company to undertake, begin, prepare, or propose the production of the Works.
This includes (but is not limited to):
Emails
Messages
Phone/video calls
Meetings
Story outlines
Concepts
Creative notes
Requests for quotation
Requests for proposal or treatment
Receipt of a Brief also constitutes acceptance of the Commission unless otherwise confirmed by the Company.
“Commission” means the assignment, expectation, instruction, or agreement whether written, verbal, explicit, implied, or arising from conduct for the Company to create, produce, develop, edit, design, deliver, or otherwise carry out the Works for the Client.
A Commission is deemed to exist when:
a) The Client accepts a quotation or proposal; or
b) The Company confirms acceptance in writing including emails and text messages; or
c) The Client instructs the Company to begin work; or
d) Any deposit or payment is made; or
e) Work begins based on any email, message (and such as a text or WhatsApp type message), or any verbal instruction given by the Client or their agent.
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'Business Day' means a day other than a Saturday, Sunday or public holiday in England when banks in London are open for business.
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'Delivery Materials' means The artistic and other works forming part of the film or all of the film or the works attached.
'Fee" means the fee described in clause 5 of this Contract.
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'Key Personnel' means any persons who will provide services for the production of the Video, including presenters or actors appearing in or providing voice-over contributions to the Video, the director, individual producer, lead photographer or cameraman or editor or any other crew ember of professional or other person.
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'Production Schedule' means any planned dates, times and locations for the preparation, production and post-production of the Video as set out or referred to in the Proposal. Services: the services to be provided by the Producer under this Contract as set out in clause 2.
'Production Services' or 'Services' shall mean all and any services provided by the Production Company under any Contract and Services Agreement in the carrying out of its duties under this and all other Production Terms and Conditions including and not limited to Feature Film Production Terms and Conditions and Post Production Terms and Conditions which the Client agrees to be bound by the day and minute he engages our services.
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'License' means a physical and signed and agreed license to utilise, promote with and to publish or stream films and works.
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'Client' shall mean any engaging party or contracted person or company or person or companies who start using or listing or publishing or streaming or using the films or services of the Production Company for whatsoever reason or reasons.
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“Works” shall mean any and all creative, artistic, technical, intellectual, digital, physical, visual, audio, written, or conceptual materials, and any derivative material thereof, produced, supplied, created, commissioned, developed, adapted, enhanced, modified, or otherwise originated by the Production Company, whether in whole or in part, whether final or draft, and whether delivered or not delivered, including but not limited to:
Films, videos, edits, cutdowns, sequences, scenes, shots, stills
Designs, illustrations, drawings, photographs, AI-generated images
Storyboards, concept art, creative treatments, scripts, copywriting
Logos, brand marks, taglines, type treatments, brand assets
Animations, motion graphics, composite sequences, VFX elements
Audio, music, compositions, recordings, sound design
Artwork, graphical elements, templates, raw files, project files
Grade files, colour treatments, LUTs, data assets
Packaging design, print artwork, digital files, exports
Any preparatory or developmental material relating to the Work
Any intellectual property created or supplied by the Production Company
Any adaptation, modified version, edit, derivative work, composite or arrangement produced from any of the above
This definition includes all versions, variations, formats, resolutions, aspect ratios, language variants, data forms, and file types, whether supplied directly to the Client or used internally by the Production Company in the creation of the final deliverables.
For the avoidance of doubt, “Works” shall also include all Assets as defined in this Agreement at the base of these Terms and Conditions entitled: ASSETS. A Clear Guide for Clients Licensing Film, Animation & Creative Work
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“Third Party” shall mean any individual, company, organisation, entity, platform, agent, contractor, subcontractor, affiliate, distributor, intermediary, or recipient other than the Production Company or the Client who:
Receives, is given access to, is sent, downloads, obtains, views, uses, edits, or hosts any of the Works;
Is supplied with the Works by the Client, by any representative of the Client, or by any unauthorised party;
Is engaged by the Client to use, modify, distribute, publish, host, broadcast, adapt, integrate, or incorporate the Works in any form;
Participates in, contributes to, or facilitates the use of the Works;
Hosts, stores, embeds, streams, distributes, publishes, or otherwise makes the Works available;
Has any involvement whatsoever with the Works, whether intentional or inadvertent;
This definition includes, without limitation:
Marketing agencies, design studios, PR firms, media agencies;
Publishers, broadcasters, printers, production companies;
Website companies, hosting providers, platform operators;
Influencers, contractors, freelancers, consultants;
Social media platforms, digital service providers, software systems;
Any entity or person who receives or uses the Works due to the Client’s actions, omissions, instructions, or errors.
For clarity: A Third Party includes any party who did not enter into a direct contractual licence with the Production Company, regardless of whether the Third Party is acting as an agent or representative of or for the Client.
Any Third Party who uses, distributes, displays through another party, or presents, or shows, or benefits from the Works without a valid written licence from the Company as explained in its liences section under 4.1.7 to 4.1.11 below shall be deemed to be in unauthorised possession of the Works and shall be subject to all applicable licence fees, unauthorised-use penalties, and damages as set out in these Terms and Conditions and any Agreement.
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1.2 Production Company Group Structure and Application of Terms
1.2.1 KOKOE FILM LIMITED, is a company incorporated in England and Wales with company number 10211256 and registered office at : River House, 6 Firs Path, Leighton Buzzard, Bedfordshire, LU7 3JG (the “Production Company”, “The Company” or “Production Company”) and operates as a film and media production company.
1.2.2 Kokoe Studios and Kokoe Design are trading names and/or separately licensed entities (together, the “Design Studio”) which provide design, illustration, animation, branding, artwork and associated creative services.
Kokoe Studios and Kokoe Design work in conjunction with an entity called On Q Media which is the trading brand of Quaternion House Limited, being suppliers of general management, consultancy and associated media services including, without limitation, print, web, digital, and design-related services (together with the Production Company and the Design Studio, the “Group”).
1.2.3 For the purposes of these Terms and Conditions, any reference to “the Company” or "The Production Compay" shall, unless the context otherwise requires, be deemed to include the Production Company, the Design Studio (including Kokoe Studios and Kokoe Design), and On Q Media which is the trading brand of Quaternion House Limited, and any other Group entity engaged in the provision of the Works, and these Terms and Conditions shall apply equally to all such entities.
1.2.4 By commissioning, instructing, or otherwise engaging the Production Company, the Design Studio, On Q Media which is the trading brand of Quaternion House Limited or any individual, officer, director, employee, consultant, subcontractor or agent acting on behalf of any member of the Group to provide any services which include, or require, design work, artwork, illustration, animation, branding, layouts, typography, web or digital design, or any other design-related element to be incorporated into the Works, the Client therefore:
a. Expressly accepts and agrees to be bound by these Terms and Conditions in full; and;
b. Expressly accepts and agrees to also be bound by Kokoe Studios’ and Kokoe Design’s Terms and Conditions in full, as if they were set out herein, in respect of all such design and related services and their terms and conditions can also be found on the Kokoe Design website : kokoe.co.uk.
1.2.5 The Client further agrees and acknowledges that:
a. Any party acting on the Client’s behalf or in association with the Client, including but not limited to agents, subcontractors, partner agencies, affiliates, consultants or any other Third Party instructed, authorised, or permitted by the Client to receive, use, adapt, host, distribute, publish or otherwise deal with the Works, shall be deemed to have accepted these Terms and Conditions and the Kokoe Studios / Kokoe Design Terms and Conditions to the extent they make use of the Works; and
b. The Client warrants that it has the authority to bind such associated parties and Third Parties to these Terms and Conditions and shall indemnify and keep indemnified the Company and all members of the Group against any loss, damage, claim, cost or liability arising from any failure by such parties to comply with these Terms and Conditions and/or the Kokoe Studios / Kokoe Design Terms and Conditions.
1.2.6 For the avoidance of doubt, the commissioning of any design work and/or Assets (including but not limited to logos, logotypes, brand marks, taglines, artwork, illustrations, AI-generated images, layouts, templates, motion graphics, or any visual elements and those listed in the section entitled: ASSETS. A Clear Guide for Clients Licensing Film, Animation & Creative Work) that is to be included in or used in connection with the Works shall automatically bring into effect and incorporate the Kokoe Studios and Kokoe Design Terms and Conditions, in addition to and without limitation of these Terms and Conditions
1.3 Any words using the following terms: ‘in particular’, ‘for example’ or any similar expression shall be construed as illustrative but shall not limit the sense of the words, description, definition, phrase or term preceding those terms.
2 Engagement
2.1 Payment by the Client on deposit of any amounts or on signature of this Contract (or whichever is the sooner) shall be deemed to constitute full acceptance by the Client of all of the terms of this Contract and of all General Terms and Conditions of the Company, its Non-Disclosure Agreements and its Other General Terms and Conditions without limit or exclusion and in full or in part thereof.
2.2 In consideration of payment to The Production Company of the Fee, the Client engages The Production Company, and The Production Company agrees, to produce the Film using its Key Personnel and in accordance with the Proposal and the Production Schedule and to provide such other services as are agreed between the parties from time to time in connection with the Film. The Services where paid for shall include:
2.2.1 Where agreed by The Production Company, creating and developing a storyboard for the Film in discussion with the Client and in accordance with the directions and request of the Client;
2.2.2 consulting with and assisting in the writing of any script for narration in the Film, the final production screenplay for which shall be retained by the company;
2.2.3 casting voice artists in consultation with the Client;
2.2.4 selecting, gathering, holding and developing in consultation with the Client material that is to be contributed to the Film by third parties;
2.2.5 making necessary preparations for the filming and production of the Film including providing or engaging the crew, studio and other necessary facilities and services necessary to render the Services;
2.2.6 obtaining a licence to use background music;
2.2.7 creating and producing the Film in a timely fashion in accordance with the Scope and the Production Schedule;
2.2.8 undertaking and overseeing all post-production titling, editing, scoring, dubbing, cutting and completion of the Film;
and
2.2.9 Where requested (or included as part of the Proposal or agreed budget) providing a distribution consultancy service.
2.3 The Production Company will use reasonable endeavours to provide the Production Materials to the Client or to the Post Production facility on or before the Delivery Date (see Terms and Conditions of Post Production); but the Client acknowledges that filming of a Film requires timely patience and/or assistance and understanding by the Client and is dependent on any changes to the Scope and other matters beyond the control of The Production Company, including (without limitation) weather, licensing, other services, social media, third party delays or influences outside of the control of Company or not, availability of actors for use in the Film and / or delays caused by third party providers, including, for example, such as Clearcast (who clear Films for use on tv or cinema, including supporting legal processes). Accordingly The Production Company will have no liability to the Client for any failure to provide the Delivery Materials by the Delivery Date and time shall not be of the essence.
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3 Creative Control
3.1 The parties agree to meet from time to time as agreed between the parties to consult in good faith with each other over the editorial content and artistic direction of the Film; provided that The Production Company shall, in its absolute discretion but with discussion with the Client and giving good faith consideration to the Client's views as a professional production company, have final editorial and artistic control over the Film.
3.2 The Production Company shall have the exclusive right on behalf of the Client to accept as satisfactory and to be granted full use and exclusive license to all story, outline/s, script/s, screenplay/s voice/s, storyboard/s, design and music of the Film and all and any other necessary and required elements for use in all feature film production/s.
3.3 The Client shall be responsible for any costs necessitated by any changes to the Scope overall, or, any changes:
3.3.1 necessitated by inaccurate or misleading information provided by the Client to The Production Company in preparation of the Proposal;
3.3.2 resulting from any failure by the Client to obtain consent from any third party or employees necessary in the delivery of the Film;
3.3.3 inaccurate technical direction or requirements imposed or required by the Client ‘on shoot’; Provided that the Client will not be responsible for the cost of changes arising from errors by or omissions of The Production Company.
3.4 The Client Representative will, if required, be available to provide hands-on assistance during filming.
3.5 The Production Company will, where agreed, shall submit to the Client details of the Director’s treatment, voices, storyboards, design and music for the Film for review and acceptance. The Client shall confirm either its acceptance or non-acceptance (with reasons in writing) within five Business Days after receipt of such details. If The Production Company does not receive notice of such acceptance or non-acceptance within that period of five Business Days, the Client will be deemed to have accepted the same, which will then form part of the Delivery Materials.
3.6 If the Client declines to accept any of the Delivery Materials, The Production Company will then have fourteen days in which to make all necessary changes to them, the Client having given written reasons for non-acceptance. The Production Company will then submit to the Client the revised material or replaced materials and the provisions of clause 3.5 and this clause 3.6 will apply again save that any further request for amendment by the Client after the second review shall be subject to charge by The Production Company to cover reasonable costs necessarily incurred as a result of the second non-acceptance; such costs to be paid within 30 days of the Client's receipt of a valid invoice for them.
3.7 The Client's Representative shall have the opportunity to accept, or refuse to accept, the Film at rough cut and fine cut stage delivered in hard copy or posted online for online review at The Production Company's cost. Subject to dates being agreed in advance, the Client shall be entitled to request within a period of fourteen Business Days from receipt of each of the rough cut and fine cut, reasonable amendments which shall be undertaken by The Production Company at its own cost. If the Client does not request amendments within fourteen Business Days, acceptance shall be deemed to have occurred and the Film accepted.
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3.8 In the case of 3.6 above, this clause shall only apply if the Client or Client's agent has not breached any of the Production Company's terms and conditions. Should any breach or misconduct or what the Production Company considers to be any form of misconduct be caused by the Client via communication or other means of contact then the Production Company shall have the exclusive and sole right to not only continue to use the materials licensed to it for its exclusive and sole use in order to fulfil the terms of its contract to finish the film but to continue with the Production at its own discretion and without any further reference to the Client under Clause 3.1.
3.9 Any and all rights in 3.6 and 3.7 shall be withdrawn as a result of any misconduct. As a result of such misconduct, the Production Company shall finish the Production to its best ability or abilities and to render a Production 'final cut' and to do so with the full agreement of the Client regarding the Production Company's sole and final approval of the final cut and that such a final cut shall be approved by the Production Company in the absence of the client and that at all times all actions and discretions and decisions shall be governed by both the Company's Production Terms and Post Production Terms and Conditions.
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4 Obligations
4.1 The Production Company agrees that it shall:
4.1.1 render the Services to the highest professional standards and in accordance with the Client's reasonable instructions and requests where relevant;
4.1.2 perform the Services in co-operation with the Client via the Client Representative and where requested by the Client, its other professional advisors and service providers such as the Client's PR or advertising agency;
4.1.3 not without the Client's written consent, incur any liability on the Client's behalf nor pledge its credit nor hold itself out as being entitled to do so other than as is contemplated in the Proposal;
4.1.4 subject to clause 8.5 not without prior discussion will the Client make any commercial use of its role in, or association with, the Film (excepting the case of 3.9 above);
4.1.5 be responsible for arranging and supervising the performance of the Services and delivery of the Delivery Materials;
4.1.6 maintain an appropriate policy of public liability insurance in respect of any act or omission of The Production Company.
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Licence Fee and Unauthorised Use
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4.1.7 — Requirement for Written Licence
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No use of any Film, Artwork, Design, Illustration, Image, Asset, Script, Copy, Animation, Audio, Graphic, or any derivative content (collectively, “the Works”) is permitted unless the Company has issued a written licence agreement, signed by at least two of the Company's directors regarding the Works with second signed copies of the same residing at the Company's Head Office, authorising:
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Use
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Publication
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Distribution
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Display
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Broadcast
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Hosting
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Streaming
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Embedding
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Sharing
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Derivative use
Absence of an authorising, physical signed licence automatically renders any use as unauthorised.
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4.1.8 — Definition of Assets
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Each discrete creative element produced by the Production Company constitutes a separate Asset for licensing purposes.
Assets include, without limitation:
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Logos, brand marks, lockups
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Taglines, scripts, copywriting, headlines
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Illustrations, AI-generated images, photographs
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Icons, patterns, design elements
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Title cards, end frames, supers
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Animation layers, sequences, renders
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Music, voiceovers, sound design
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Any individual shot, sequence, edit or cut (including cutdowns)
A schedule of Assets (see below) shall be applied to each project. Only those Assets listed are licensed. Non listed assets are charged at the lowest base rate.
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4.1.9 — Licence Fees (Monthly Basis)
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Usage is licensed per calendar month (or part thereof, each part counted as a full month) and is calculated:
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Per Asset,
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Per platform,
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Per territory,
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Per month,
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As per the Production Company’s Premium Rate Card (see below) in effect at the time of licensing.
Online posting (including YouTube, Vimeo, TikTok, Meta, X, LinkedIn, and any website) constitutes Global Usage, unless geo-restricted.
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Minimum licence term chargeable: 6 months.
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Licence fees become payable immediately upon commencement of any authorised usage.
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4.1.10 — Territory Multipliers
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The following surcharges apply:
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UK-only: Included
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English-speaking territories (UK, US, Canada, Australia, NZ, Ireland): +50%
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Global (all territories/languages): +100%
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Global Paid Advertising: +150%
Posting to any global platform (e.g., YouTube) automatically triggers Global Usage.
4.1.11 — Royalty-Free / Public Domain Materials
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Where the Production Company utilises royalty-free or public-domain elements (e.g., Pixabay, Pexels, Unsplash), this does not reduce or negate licence fees. This is because:
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The Production Company’s fee pertains to the Work as a whole, not its individual components.
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The creative integration, editing, grading, sequencing, animation, story structure, timing, and artistic treatment are proprietary to the Production Company.
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The Production Company retains full copyright over the Work in its compiled, edited, modified, or derivative form.
Clients are not granted any rights to reuse third-party materials outside the delivered Work.
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4.1.12 — Unauthorised Use Penalty (Primary Liability)
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Where any Film, Asset, or Work is used, uploaded, hosted, displayed, distributed, embedded, shared, copied, or otherwise exploited without a valid written licence, the following applies:
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The unauthorised use fee shall be 10× the applicable monthly licence fee
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This applies per Asset, per platform, per month or part-month
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A flat £5,000 (GBP) penalty per platform where the Work is uploaded globally (YouTube, Vimeo, TikTok, Meta, etc.)
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All amounts become immediately due upon demand
This penalty applies from the first day any unauthorised use began, regardless of views.
Interest accrues at the statutory rate or Bank of England base + 8%, whichever is higher.
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4.1.13 — Continuing and Wilful Infringement
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Use after notification constitutes wilful infringement and entitles the Company to:
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Aggravated damages
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All enforcement costs
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Injunctive relief
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Recovery of legal fees
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Any additional damages available under the Copyright, Designs and Patents Act 1988 or common law
4.1.14 — Removal Obligation
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Upon written notice, any party in unauthorised possession or use of the Works must remove all copies (digital or otherwise) within 48 hours. Any failure to remove incurs the following fees that are payable on demand:
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A £250 per day non-compliance fee,
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Continuing unauthorised-use charges under 4.1.12,
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Additional damages at law.
4.1.15 — Liability for Distribution to Third Parties (Primary Offender Rule)
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If any person or organisation (“the Originator”):
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Distributes,
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Sends,
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Shares,
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Provides,
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Uploads, or
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Supplies
the Works to any third party without an authorised licence, the Originatorv (being the person who supplied the Works to the Third Party) is solely and fully liable for:
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All licence fees
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All multipliers
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All penalties
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All damages resulting from such distribution
The Originator is responsible, not the receiving party, because the Originator caused the unlawful dissemination.
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4.1.16 — Secondary Liability of Receiving Parties
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Any receiving party (“the Recipient”) who uses the Works:
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after being notified by the Production Company that no licence exists, and
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after failing to remove or cease usage
shall become jointly and severally liable with the Originator for:
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All applicable licence fees
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All applicable penalties
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All non-removal penalties
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All damages and legal costs
This clause fully accords with UK contributory-infringement principles.
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4.1.17 — No Transfer of Rights
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Licences granted by the Production Company:
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Are non-exclusive
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Are non-transferable
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May not be assigned or sublicensed
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Must be renewed in writing
Any attempt to transfer rights renders the licence void and reclassifies any further use as unauthorised use, triggering clauses 4.1.12–4.1.16.
4.2 The Client or Engaging Party agrees that it shall:
4.2.1 (where necessary) provide The Production Company with reasonable access to its premises at no expense to The Production Company (inclusive of the cost of space, heat, light, power) providing that The Production Company shall, and shall procure that all its employees and contractors shall, enter into the Client's standard conditions for such access if so required; and
4.2.2 inform all employees, agents and guests at its premises of the proposed filming and obtain relevant release forms duly signed by all such persons;
4.2.3 (where necessary) give The Production Company access to the Client's personnel and instruct such personnel to assist and support The Production Company wherever possible, to comply with The Production Company's reasonable requests in making the Film, and in particular to provide such information as The Production Company may request;
4.2.4 where any filming is to take place at the Client’s premises or a location designated by the Client, ensure such location is safe and that adequate insurance is in place; and
4.2.5 provide access to digital information, company graphics and website for use in the Film;
4.2.6 be solely responsible for third party costs associated with all and any use of the Film on television (including without limitation all ‘buyouts’ required to be paid to actors appearing in the Film).
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4.2.7 provide an exclusive and sole license to all and any story material, script and screenplays for the Production Company to use in order to produce all production associated elements from such Client's supplied material in whatsoever form supplied. Client hereby provides Production Company with a sole and exclusive license to utilise all Client materials supplied by the Client in order for it to carry out its Production Services without interference or encumbrance and such supply shall be governed by the Company's Film Production Terms and Conditions the aforesaid which the Client agrees to be bound by.
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5 Fees and Payment
5.1 The Client pay to The Production Company the Fee payable in the sums and amounts specified on the Payment Dates.
5.2 Payment terms will be set out in the Proposal. Where payment terms are not set out in Proposal payment is due 30 days after the invoice date and time is of the essence. Payment is not deemed to be received until it is represented by cleared funds.
5.3 The Production Company reserves the right to:
5.3.1 charge interest under the Late Payment of Commercial Debts (Interest) Act 1998 at the rate as deemed reasonable by the Courts and as deemed reasonable in excess of the percentage quoted by the Bank of England and the Courts;
5.3.2 charge any fees incurred in recovering payment; and
5.3.3 stop or postpone delivery or performance under this Contract (and The Production Company will not be liable for any loss the Client may suffer as a result of application of this clause) until payment of any outstanding sums is made.
5.4 The Deposit (if any) shall be paid by the Client to The Production Company; and The Production Company shall have no responsibility to commence any work under this Contract until such payment is made. The Deposit is non-refundable
5.5 All prices are exclusive of VAT, which is payable in addition to the net amount quoted on its invoice or quotations or estimates.
5.6 Payment of any Fee shall be made in full without any discount deduction, set off or abatement.
5.7 Until payment of the Final Payment The Production Company shall have a general lien or right of retention on and to all work in progress and on the Film and Delivery Materials or any part thereof in its possession.
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5.8 Unless full payment is received within one further month then The Production Company shall have and hold every right to do with the material as it sees fit within the scope of its right in copyright or other right.
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6 Expenses
6.1 All reasonable expenses incurred by The Production Company in providing the Service shall be the cost of the Client and payable in addition to the Fee.
6.2 Where possible, expenses will be pre-arranged between The Production Company and the Client and/or set out in the Proposal.
6.3 In the absence of prior notification of expenses by The Production Company, the following rates shall apply:
6.3.1 all mileage at 0.45p per mile (unless prior agreed in writing otherwise).
6.3.2 overnight stay at £115 per person (unless prior agreed in writing otherwise).
6.3.3 daily subsistence at £25 (unless prior agreed in writing otherwise).
6.4 The Client will be responsible for third party costs of production, extra equipment and personnel required for filming booked in advance of the shooting date. In the event of a shoot cancellation, all fees incurred for hired equipment, talent/cast, make up artists and additional crew required for the project will be charged back to the Client. In the event of a rescheduled shoot, all costs incurred for the original filming date(s), including all elements stated above, will be charged back to the Client along with any additional fees for the re-scheduled filming dates.
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7 Cancellation
7.1 Dates for production shall be agreed in advance and confirmed by the Client in writing. Where dates are cancelled because of a request from the Client, or due to an amendment to the Scope by the Client that results in a cancellation; The Production Company may impose the following additional charges:
7.1.1 Within 1 month of scheduled shoot date – 50% of daily shoot rate; or
7.1.2 Within 14 days of initial shoot date – 75% of daily shoot rate; or
7.1.3 Within 7 days of initial shoot date – 100% of daily shoot rate; and any third party expenses for which The Production Company shall be liable following such cancellation.
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8 Rights
8.1 Subject to payment by the Client of the Final Payment; and subject to clauses 8.2 and 8.3, The Production Company hereby grants and assigns to the Client:
8.1.1 a granted paid copyright throughout the world in the agreed media whether now known or hereafter developed for the period of copyright agreed with certain and reasonable renewals, revivals, reversions and extensions thereof (and thereafter, in so far as it is able and as agreed and paid for, in perpetuity) including so called rental and lending rights and, to the extent relevant, by way of assignment by agreement and payment of future copyright provided that no other rights have been granted to a third party or to the Production Company; and
8.1.2 other rights of The Production Company including consents under Part II of the Copyright, Designs and Patents Act 1988 or any statutory modification or re-enactment thereof for the time being in force (CDPA) in the Film, to enable the Client to make use of the Film for the use agreed provided that no other rights have been granted to a third party or to the Production Company.
8.2 excludes design and production elements including concepts and elements such as logos, themes, plans, models, together with all and any copyright in any scripts, screenplays or adaptations and all music or other FX or elements shall remain vested in The Production Company but shall be made available to the Client from the Delivery Date on a licence provided that the Client shall only be permitted to use such material and design concepts for the purpose identified in the Proposal or the Contract and Services Agreement as agreed and provided that the full incense fee be paid in advance by the Client.
8.3 The Client will not, without written consent of The Production Company, edit, copy, alter, add to, take from, adapt and translate all or any of the Film after delivery by The Production Company to the Client.
8.4 The Client agrees that The Production Company may use the Client's name and intellectual property rights solely to the extent necessary for the purpose of providing the Services agreed. The Client warrants that no such use shall infringe the rights of any third party out he rights of the party whose copyright it owns.
8.5 The Production Company shall have the exclusive right for a period of ten years from the Delivery Date to use extracts from its Film for its own promotional use internally only and for client and prospective client presentations, showreels and on The Production Company's website where agreed. Each such extract must be no longer than 30 seconds in length unless agreed otherwise, and the extracts used in any one promotional item must not exceed 2 minutes cumulatively. The Client shall have the right to request to The Production Company that the extracts (or any one or more of them) be removed and no longer used by The Production Company if the Client reasonably considers that such use may be detrimental to the Client's reputation or its commercial interests and provided that the Production Company agrees such.
8.6 For the purposes of the Data Protection Act 1998, as amended, The Production Company agrees and consents to the Client the holding and processing of personal data relating to The Production Company and individuals connected with The Production Company in any form, whether electronically or otherwise, provided that The Production Company complies at all times with data protection law and best practices.
8.7 The Client authorises The Production Company, at the Production Company's option, to insert, a credit as The Production Company of the Film on the end credits of the Film, with its name and web address printed on all hard copies of the Film and included alongside all online versions of the Film.
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8.8 The Client authorises The Production Company, at the Production Company's option, to insert, a credit for all and any third party services provided and to insert such credit as a line or full screen page on the end credits of the Film, with, where required or deemed necessary by the Production Company, such third party's name and web address and to be printed on all hard copies of the Film and included alongside or on all online versions of the Film.
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9 Master Copy
9.1 The Production Company will for a period of three years from the Delivery Date, preserve one master copy of the final Film; but shall have no responsibility to keep a copy of outtakes or unused production material beyond that date.
9.2 All media produced by The Production Company on behalf of the Client will be stored as follows:
9.2.1 All footage will be captured in Hi-Definition (as standard) and then stored on professional format digital media and transferred for on-lining to high speed RAID array;
9.2.2 All footage on a RAID hard drive will be retained by The Production Company on password protected computer systems until completion of the post production process and for a period no longer than three years or at its discretion;
9.2.3 Following approval of the final Film, all source files and edit files will be transferred by The Production Company onto portable hard drives on high capacity LTO digital tapes or onto a cloud or retrieval site such as Vimeo and stored in a secure off site storage facility for up to two years or more as only agreed by the Client and paid for by the Client. If no payment for archival is made then the Production Company reserves the right to delete or archive the files at its own behest,
9.3 Copies of the Master Copy can be made available to the Client at a cost of £750 plus VAT for each file thereon for productions of less than 5 minutes and for productions of more than 5 minutes £1,500 plus VAT for each file and of productions more than 30 minutes of £2,500 plus VAT plus costs of storage and render plus VAT. for each file.
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10 Warranties
10.1 The Production Company hereby warrants, represents and undertakes to the Client that:
10.1.1 The Production Company is fully entitled to enter into and to perform this Contract;
10.1.2 the Film (save to the extent that it incorporates material made available to The Production Company by the Client) will be wholly original to The Production Company and will not infringe the copyright or any other rights of any third party, including rights to privacy;
10.1.3 the Film will not contain any defamatory matter or breach any contract or duty of confidence nor bring the Client into disrepute or subject it to criminal or civil proceedings, and does not breach any provision of law unless such material has been provided to The Production Company by the Client and agreed in advance by the parties;
10.1.4 The Production Company is and will remain throughout the term a registered data holder and controller for the purposes of the Data Protection Act 1998 and shall hold all and any data relating to this Contract strictly in accordance with such legislation at all times;
10.1.5 The Production Company shall not make any commercial exploitation of any of the Film except as permitted under this Contract; and
10.1.6 The Production Company shall indemnify theClient and keep Client indemnified against agreed costs, demands, losses and expenses arising from any actual or threatened breach or non-performance of Production Company's warranties, representations, undertakings or obligations on The Production Company's part contained in clause 10.
10.2 In order to receive the indemnification under clause 10.1.6 the Client shall promptly notify The Production Company of a claim and shall grant The Production Company the sole right to defend, control and settle such claim, and The Production Company shall have the right at its own cost to have its own legal counsel present at all meetings and hearings relating to the claim. The Client shall not compromise, settle or otherwise resolve a claim without The Production Company's prior written consent, not to be unreasonably withheld or delayed.
10.3 The Client hereby warrants, represents and undertakes to The Production Company that:
10.3.1 it is fully entitled to enter into and perform this Contract;
10.3.2 it shall either own, or have obtained and paid for licences for it and the Production Company to use, all materials provided to The Production Company by the Client in connection with the production of the Film; and
10.3.3 the Client shall indemnify The Production Company and keep The Production Company fully and effectively indemnified against all actions, costs, demands, losses, claims and expenses, including legal actions, costs, demands, losses, claims and expenses and of whatsoever kind or nature arising from any actual or threatened breach or non-performance of any of the warranties, representations, undertakings or obligations on the Client's part contained in this Contract.
10.4 In order to receive the indemnification under clause 10.3.3, The Production Company shall promptly notify the Client of any claim and shall grant the Client the sole right to defend, control or settle such claim and The Production Company shall have the right to have their own counsel present at The Production Company's sole cost and expense.
10.5 Neither party shall be liable to the other party for incidental, consequential, special or punitive damages or loss of profits which the other party may suffer arising out of any breach of this Contract.
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10.6 The Client also hereby warrants that it/she/he will respect the Company's staff and executives at all times and agrees that no member of staff or executive management should feel required or feel obliged to deal with any Customer either face to face, over the phone or in correspondence who exhibits threatening, stress causing or anxiety causing or abusive or violent behaviour including texts or emails or phone calls that display acts of malicious communication. In any of these circumstances any member of staff or executive management has the right to refuse to operate the Booking with the customer or to offer or operate any services and shall not be required to supply their name or any further details. Any such malicious act (under The Malicious Communications Act 1988) whether considered proven or not will see the cancellation of all and any other services or elements or items or otherwise in all other term and conditions of the Company which will be withdrawn, cancelled and/or terminated unilaterally and without limit forthwith from the time of the malicious act.
10.7 Threatening behaviour is defined as but not limited to threats of violence to members of staff or executive management or any other person which is, for example; sexist, racist or homophobic; including intimidating language, swearing and/or aggressive body language or the involvement of threats against members or their families of companies or threats of postings made online.
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10.8 In all circumstances involving an actual or potentially violent/threatening or abusive Customer, the Company will explain to the Customer that their behaviour is unacceptable and the Customer will be asked to apologise and/or behave in a civil manner or certain services or supplies or elements will be limited or withdrawn to limit behaviour from happening again. Subject to the customer’s behaviour improving sufficiently and where possible an apology is received, the customer may only be dealt with at the level and discretion that the Company considers and deems as fitting and communication will be limited and this shall include the amount of information given or the amount of information on reports or emails as on a 'need to know' basis and nothing more.
10.9 If the Company chooses to limit the Customer with regards communications or services or privileges it offers or has or has had with the Customer are withdrawn or limited then the Customer will lose those communications or services or privileges and access to certain information will be at the total discretion of the Company in order to protects its staff and executive management from further abuse.
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11 Confidentiality
The Production Company shall not, without the prior consent of the Client, make to any third party any statement or supply any information or photograph or trailer relating to the Film or to the Services or to the business or legal affairs of the other, other than to state that it is producing the Film (but this shall not prevent proper disclosures of information to the parties' professional advisers or as required by law).
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12 Publicity and Promotion
The parties agree in good faith to consult on publicity and promotional plans for the Client that involves use of the Film. All public relations, promotional and press activities undertaken shall be subject to the Client's prior written approval (such approval not to be unreasonably withheld or delayed).
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13 Loss and liability
13.1 The Production Company shall not be liable for:
13.1.1 any loss of profit or any indirect or consequential loss, loss of goodwill, claim for loss of publicity or opportunity to enhance the reputation of the Client even if The Production Company delays or abandons production of the Film; or
13.1.2 any loss, damage, costs, expenses or other claims for compensation arising from any materials supplied by the Client to The Production Company or instructions supplied by the Client which are incomplete, incorrect, inaccurate or illegible, or arising from late arrival or non-arrival, or any other fault of the Client
13.1.3 any loss or damage to the property of the Client, nor for any personal injury, illness or death caused or suffered in connection with its engagement under this Contract unless caused by the negligence of The Production Company and recoverable on that ground following the judgment of a competent court
13.2 Except in respect of death or personal injury the entire liability of The Production Company in contract, tort (including negligence or breach of statutory duty) misrepresentation, restitution or otherwise arising in connection with the performance or contemplated performance of this Contract shall not exceed the amount claimable under the terms of the appropriate insurance policy held by The Production Company.
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14 Termination
14.1 The Client may terminate this Contract on not less than 30 days prior written notice.
14.2 On termination under clause 14.1, The Production Company shall be entitled to receive payment:
14.2.1 of all sums that The Production Company is, up to the date of termination, contractually obligated to pay third parties; and
14.2.2 on a pro rata basis for Services rendered up to the date of termination and any sums to which The Production Company is, up to the date of termination, contractually obligated to pay third parties.
14.3 Without affecting any other right or remedy available to it, either party may terminate this Contract with immediate effect by giving written notice to the other party if:
14.3.1 the other party fails to pay any amount due under this Contract on the due date for payment and remains in default not less than 14 days after being notified in writing to make such payment;
14.3.2 the other party commits a material breach of any other term of this Contract which breach is irremediable or (if such breach is remediable) fails to remedy that breach within a period of 14 days after being notified in writing to do so;
14.3.3 the other party suspends, or threatens to suspend, payment of its debts or is unable to pay its debts as they fall due or admits inability to pay its debts or (being a company or limited liability partnership) is deemed unable to pay its debts within the meaning of section 123 of the Insolvency Act 1986 or (being an individual) is deemed either unable to pay its debts or as having no reasonable prospect of so doing, in either case, within the meaning of section 268 of the Insolvency Act 1986 or (being a partnership) has any partner to whom any of the foregoing apply;
14.3.4 the other party suspends or ceases, or threatens to suspend or cease, carrying on all or a substantial part of its business;
14.3.5 the other party commences negotiations with all or any class of its creditors with a view to rescheduling any of its debts, or makes a proposal for or enters into any compromise or arrangement with any of its creditors;
14.3.6 a petition is filed, a notice is given, a resolution is passed, or an order is made, for or in connection with the winding up of that other party (being a company);
14.3.7 an application is made to court, or an order is made, for the appointment of an administrator, or if a notice of intention to appoint an administrator is given or if an administrator is appointed, over the other party (being a company); or
14.3.8 the other party commits a material breach of any term of this Contract which breach is irremediable or (if such breach is remediable) fails to remedy that breach within a period of ten Business Days after being notified in writing to do so.
14.4 On termination of this Contract for any reason:
14.4.1 neither party shall have any further obligation to the other under this Contract, except as stated in this Contract;
14.4.2 the rights, remedies or obligations of the parties that have accrued or become due before termination shall remain unaffected; and
14.4.3 the Client shall remain entitled to all rights granted or assigned to it under this Contract.
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15 Assignment and other dealings
The Production Company shall be permitted to transfer the benefit of this Contract to a limited company or LLP incorporated to assume all of the assets and liabilities of The Production Company; on terms that such limited company or LLP shall assume all of the responsibilities of The Production Company under this Contract as if it was a party thereto. Subject as aforesaid, neither party shall assign, transfer, mortgage, charge, subcontract, declare a trust over or deal in any other manner with any of its rights and obligations under this Contract.
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16 Third-party rights
Save as in clause 15 provided, no one other than a party to this Contract shall have any right to enforce any of its terms.
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17 No partnership or agency
Nothing in this Contract is intended to, or shall be deemed to, establish any partnership or joint venture between the parties, constitute either party the agent of the other party, or authorise either party to make or enter into any commitments for or on behalf of the other party.
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18 Waiver
No failure or delay by a party to exercise any right or remedy provided under this Contractor by law shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy.
19 Variation
No variation of this Contract shall be effective unless it is in writing and signed by the parties (or their authorised representatives).
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20 Notices
20.1 Any notice given to a party under or in connection with this Contract shall be in writing and shall be:
20.1.1 delivered by hand or by prepaid first-class post or other next working day delivery service at its registered office (if a company) or its principal place of business (in any other case); or
20.1.2 sent by email to any email address established for the purposes of communication.
20.2 Any notice shall be deemed to have been received:
20.2.1 if delivered by hand, on signature of a delivery receipt or at the time the notice is left at the proper address;
20.2.2 if sent by prepaid first-class post or other next working day delivery service, at 9.00 am on the second Business Day after posting [or at the time recorded by the delivery service]; or
20.2.3 if sent by email, at 9.00 am on the next Business Day after transmission.
20.3 The provisions of this clause 20 shall not apply to the service of any proceedings or other documents in any legal action.
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21 Entire agreement
21.1 This Contract (incorporating the Proposal) constitutes the entire Contract between the parties and supersedes and extinguishes all previous agreements, promises, assurances, warranties, representations and understandings between them, whether written or oral, relating to its subject matter.
21.2 Each party agrees that it shall have no remedies in respect of any statement, representation, assurance or warranty (whether made innocently or negligently) that is not set out in this Contract.
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22 Remedies
The Client acknowledges that in the event of any breach of any of the terms of this Contract by The Production Company, the Client's sole remedy shall be an action at law for damages and in no event shall it be entitled to rescind this Contract or receive any injunctive or other equitable relief.
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23 Anti-bribery
The Production Company shall comply with all applicable laws, statutes, and regulations relating to anti-bribery and anti-corruption including but not limited to the Bribery Act 2010.
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24 Jurisdiction
Each party irrevocably agrees that the courts of England and Wales shall have exclusive jurisdiction to settle any dispute or claim arising out of or in connection with this Contract, its subject matter or formation (including non-contractual disputes or claims).
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25 Governing law
This Contract and any dispute or claim arising out of or in connection with it or its subject matter or formation shall be governed by and construed in accordance with the Laws of England.
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Document: KKFLTOE2018/TAC
ASSETS. A Clear Guide for Clients Licensing Film, Animation & Creative Work
In professional film, design, and advertising, every discrete creative element inside a project is treated as an Asset.
Each Asset has its own value, can be used independently, and therefore carries its own licence.This explainer helps clients understand what is considered an Asset and why licensing applies to each one.
Asset 1. FILM & VIDEO ASSETS
These are the components that make up the finished film.
Master Edits
Final full-length film (e.g., 2-minute master)
Alternate versions (e.g., with/without subtitles)
Different aspect ratios (16:9, 9:16, 1:1, 21:9)
Cutdowns & Variants
60-second cutdown
30-second cutdown
15-second cutdown
6-second bumper
Teaser versions
Trailer versions
Social media edits
Sequences
Any standalone sequence extracted from the film
Individual scenes
Montage sequences
Time-lapse sequences
Documentary segments
Interview segments
Shots
Individual shots used in the film
Drone footage shot specifically for the project
B-roll captured during production
Slow-motion clips
Establishing shots
Asset 2. GRAPHICS, ANIMATION & VISUAL ELEMENTS
Static Graphics
Title cards
Lower thirds
Name straps
Captions
Superimposed graphics (“supers”)
End frames
On-screen text
Infographics
Charts
Icons
Animated Graphics
Animated logos
Animated type
Motion graphic sequences
Kinetic typography
Transition animations
Particle effects
Overlay animations
Illustrations
Any custom illustration
Hand-drawn artwork
Vector artwork
Digital matte paintings
Character illustrations
Scene/environment illustrations
AI-generated images used in the film (each image or frame > moving image = one Asset)
AI-Created Visuals
All AI-generated images
Intermediate variations
Layers created for animation
Upscaled final versions
Any image used as part of the animation
Asset 3. IMAGE-BASED ELEMENTS
Photography
Photographs taken specifically for the film
Still images integrated into the video
Background photographs
Product photography
Stock Images (these are still considered as assets despite wheter charged or not)
Stock library images or film
Royalty-free images or film
Public domain images
Licensed photographs
Even if royalty-free, the integration, grading, processing, and film treatment creates a new Work which is licensable.
Asset 4. BRANDING ASSETS
Logos
Primary logo
Secondary logo
Icon or brand mark
Animated logo
Logo intro sequence
Logo outro / end-frame
Typography
Custom type treatments
Font conversions/outlines
Title font styling
Text animations
Taglines
Brand tagline
Campaign tagline
Sub-tagline
Supporting text lockups
End-frame messaging
Asset 5. SCRIPT, COPY & TEXT ELEMENTS
Copywriting
Main script
Narration script
On-screen copy blocks
Taglines
Story text
Descriptions
Voiceover text
Subtitles & Captions
Subtitle files
Closed-caption files
Multiple language subtitle variants
Asset 6. AUDIO & SOUND ASSETS
Music
Original score
Commissioned composition
Remixes
Edited tracks
Stems
Voiceover
Main voiceover recording
Language variants
Character voices
Sound Design
Foley
Ambient soundscapes
Sound effects (SFX)
Synth layers
Audio transitions
Asset 7. PROJECT-LEVEL ASSETS
File Formats
(Each exported format is a separate Asset)
4K master
HD master
Mobile-optimised versions
Social individual files
ProRes versions
MP4/H.264 versions
Colour-graded master
Un-graded master (if provided)
Data / Production Deliverables
LUTs created for the project
Colour grade files
Edit project files (if provided under licence)
Artwork packs
(Note: Project files are rarely licensed unless agreed, and attract significant fees.)
Asset 8. COMPOSITE ELEMENTS (Multiple Assets Combined)
These are Assets created from multiple underlying assets:
Full animated sequences
AI-image montage sequences
Collage compositions
Split-screen layouts
Motion graphics sequences
Brand story sequences
Product demo sequences
Composite grade/FX passes
Each composite counts as one Asset, in addition to its individual components.
IMPORTANT CLARIFICATIONS FOR CLIENTS
✔ If it appears in the film, it is an Asset.
Everything inside the final work is an independently valuable creative element.
✔ Royalty-free materials do NOT reduce licensing fees.
The value lies in the film created, not in whether a raw element had an d has a royalty-free licence.
✔ Assets are licensed individually.
This allows clients to license only what they need and ensures clarity and fairness.
✔ Assets used outside the film = separate licence
(e.g., using the illustrations on a website, or using the audio track on another video)
✔ Assets have individual penalties for unauthorised use
This protects your high-value, award-winning brand.
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If a Client has any questrions on the above snd does not communicate them clearly then the Client is deemed to have accepted the Assets listing in full as well as the license terms and conditions herein.



